V dialogu s umělci*umělkyněmi z pohybového umění a souvisejících oborů reflektujeme materiál v naší dynamicky se rozvíjející profesi. Snažíme se porozumět tématům a fenoménům, které ovlivňují uvažování umělců a jejich uměleckou tvorbu. Díky partnerstvím napříč zeměmi vzniká prostor pro výměnu pohledů a obohacování kolektivních znalostí našeho oboru.
We are facing death, but we are also pregnant, and this is a kind of lying-in. Excerpt from the New moon on 23 March,2020 on online platform Artforum by Ariana Reines a poet based in Cambridge, Massachusetts author of A Sand Book.
We live in an interconnected world, where borders are porous, more like living membranes than physical walls. Excerpt from the text by professor of philosophy Michael Marder published in New York Times on March 3rd, 2020.
I was not scared of dying. I was scared of dying alone. An excerpt from the text of philosoph, curatot and trans activist Paul B. Preciado author of the book Testo Junky and newly released book Appartement on Uranus.
What if words were the key to working? The Brazilian choreographer Volmir Cordeiro, who lives in Paris, begins a wide-ranging conversation with the Madrid-born dancer, choreographer, filmmaker and visual artist La Ribot, currently based in Geneva – where she teaches at HEAD (Haute école des beaux-arts et de design) – on creation, including decision-making and freedom in work, as well as relationships with others… Shaping ideas – what is that?
During the first weekend in March, a pedagogical seminar took place at HAMU. It was led by Anna Sedlačková, dancer, choreographer and faculty member at the Academy of Performing Arts in Bratislava and dancer, choreographer and dance theorist Jean-Christophe Paré. The seminar was organised by SE.S.TA Centre for Choreographic Development and moderated by Marie Kinsky and Zuzanna Demlová. Zděnka Brungot Svíteková provided translation from French.
