V dialogu s umělci*umělkyněmi z pohybového umění a souvisejících oborů reflektujeme materiál v naší dynamicky se rozvíjející profesi. Snažíme se porozumět tématům a fenoménům, které ovlivňují uvažování umělců a jejich uměleckou tvorbu. Díky partnerstvím napříč zeměmi vzniká prostor pro výměnu pohledů a obohacování kolektivních znalostí našeho oboru.
Marie Kinsky talks with choreographer Mirka Eliášová (CZ), professor at the Academy of Performing Arts in Prague, about the usage of specific choreographic tools in her teaching and creations, about improvisation as an opening tool for later choreography, about the influence of William Forsythe’s technique, and her research on these principles in relation to contact improvisation.
What if words were the key to working? The Brazilian choreographer Volmir Cordeiro, who lives in Paris, begins a wide-ranging conversation with the Madrid-born dancer, choreographer, filmmaker and visual artist La Ribot, currently based in Geneva – where she teaches at HEAD (Haute école des beaux-arts et de design) – on creation, including decision-making and freedom in work, as well as relationships with others… Shaping ideas – what is that?
During the first weekend in March, a pedagogical seminar took place at HAMU. It was led by Anna Sedlačková, dancer, choreographer and faculty member at the Academy of Performing Arts in Bratislava and dancer, choreographer and dance theorist Jean-Christophe Paré. The seminar was organised by SE.S.TA Centre for Choreographic Development and moderated by Marie Kinsky and Zuzanna Demlová. Zděnka Brungot Svíteková provided translation from French.
During the Round Table: Choreographing now two coaches Kathy Casey and Ana Dubljevic were sharing the insides of their dramaturgical processes in the frame of the Residencies with Coaching. The Round Table took place on Sunday, August 25th 2019 in the National Gallery Prague, For those who could not be there, we asked one of our coaches Kathy Casey - dramaturge and artistic director of Montreal Danse to share the notes of her conference on What does mean to be helpful in creative process?
Art historian and curator Viktor Čech wrote a Poetheoretical Commentary on Choreographic works in progress which were presented at the end of the Coaching Residencies in National Gallery Prague and Studio Alta, on August 28th ant 29th, 2019. This year the artist who attended Coaching residencies were Laura Brechmann (DE), Elena Iachininoto – Kees Huisman (NE), Sara Bocchini, Tomáš Janypka (SK) – Sabina Bočková (CZ), Johana Pocková (CZ) and were coached this year by dramaturge and director of Montreal dance Kathy Casey (CA) and choreographer and dramaturge Ana Dubljevic (SER).
