SE.S.TA Blog

The Blog features theoretical reflections on SE.S.TA Centre for Choreographic Development’s activities and interviews with artists participating in our programs. Their authentic testimony serves as the guide for other interested parties who may be wondering what to expect from a stay with us and how their artistic work might develop.

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Eva Urbanová: Hungry Hearts

Zuzana Žabková

I’ve talked with Eva Urbanová – dancer, choreographer, dance maker – who was one of the residents taking part in this year’s Coaching Residencies, about her work on the piece she recently presented as her final work at HAMU (Academy of Performing Arts – Music and Dance Department). We’ve dwelled into the process of her work and the topics she was addressing together with eight performers coming from different backgrounds. We talked about the numb, hectic skin avoiding encounter and the vulnerability of becoming intimate with the other in her choreographic process.

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Beside the Black Box: Re-inventing Aesthetics of Coming Together – Art Making in the Time of Covid

Kathy Casey

Kathy Casey – dramaturge and director of Montreal Danse in Canada – was one of this year’s coaches who, together with Alice Chauchat – dance maker and artist based in Berlin and also a coach of this year’s Coaching Residencies – presented a conversation about their work during the round table entitled Beside the Black Box: Re-inventing Aesthetics of Coming Together on Sunday, 23 August 2020, at the National Gallery in Prague.

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Third Space & Chemical Theatre: The Starting Point is the Safe Space

Zuzana Žabková

The artists Aneta Fodorová, Martina Dobiášová, Michal Kindernay, Žofie Blechová and Vojtěch Bárta came to the Estate in Žďár nad Sázavou with the multimedia project nov, which is being created in cooperation with the platform Third Space and Chemické divadlo. After the film experiment, nov expands into a performative installation. During the residency, the artists therefore focused on finding tools that will allow them to translate the content of the project into a completely different, performative language. How is the position of the viewer changing today? Why is it crucial to create a safe space? And is it even necessary to define your genre?

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Roberta Legros Štěpánková & Matthieu Legros: Labyrinth of Emptiness

Zuzana Žabková

Roberta Legros Štěpánková, one of the artists who attended this summer’s ART KLASTRY Residency at the Estate in Žďár nad Sázavou, was keen to talk about her research and working process together with her partner Matthieu Legros. While talking about their work, core materials, points of departure and their collaboration, we were meandering around the question of how to orient and navigate the body and mind in the labyrinth of emptiness.

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Dance Reading Club 2: When We Read Together at Night

Zuzana Žabková

The second edition of the Dance Reading Club series When the Dancers Know the Answers took place on 17 June, again in the Living Room of Studio ALTA in Invalidovna – but this time in a more Decameron-like chiaroscuro mood. Under the name Good Night Readers, the ladies from the platform Bjornsonova hosted a two-hour-long live and online reading of excerpts from texts by feminist authors such as Alice Munro, Linda Stupart, Octavia Butler, Ariana Reines, Justin Frank, or singer Eartheater – meandering from detective and sci-fi narratives to erotica and poetry. Good Night Readers started as an initiative by the Bjornsonova platform during quarantine, as a sequel to Boccaccio’s Decameron – following the plague pandemic in the 14th century into today’s viral times.

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