SE.S.TA Blog

Roberta Legros Štěpánková, one of the artists who attended this summer’s ART KLASTRY Residency at the Estate in Žďár nad Sázavou, was keen to talk about her research and working process together with her partner Matthieu Legros. While talking about their work, core materials, points of departure and their collaboration, we were meandering around the question of how to orient and navigate the body and mind in the labyrinth of emptiness.

The first edition of the Dance Reading Club series When the Dancers Know the Answers took place in the Living Room of Studio ALTA on Thursday 21 May 2020, and it hosted a two-hour-long discussion which started with the question: When the dance fails as a gesture? Observing how the piece Assemblage by Martina Hajdyla Lacová found its audience in the park due to the pandemic restrictions – sandwiched later with the video excerpts of performances mentioned in the discussed text Writing Laughter – Violent Desire by Jenn Joy – brought the discussion back to the core of what is the artistic gesture and why it requires gaps, stumbling and failures.

During the first weekend in March, a pedagogical seminar took place at HAMU. It was led by Anna Sedlačková, dancer, choreographer and faculty member at the Academy of Performing Arts in Bratislava and dancer, choreographer and dance theorist Jean-Christophe Paré. The seminar was organised by SE.S.TA Centre for Choreographic Development and moderated by Marie Kinsky and Zuzanna Demlová. Zděnka Brungot Svíteková provided translation from French.

During the Round Table: Choreographing now  two coaches Kathy Casey and Ana Dubljevic were sharing the insides of their dramaturgical processes in the frame of the Residencies with Coaching.  The Round Table took place on Sunday, August 25th 2019 in the National Gallery Prague, For those who could not be there, we asked one of our coaches Kathy Casey - dramaturge and artistic director of Montreal Danse to share the notes of her conference on  What does mean to be helpful in creative process?

Choreographer Frida Laux (DE) recently released her book Paradance on seven various practices related to her dance and writing research she have developed during her studies in Choreography and Performance program in Instute for Applied Theatre Studies in Giessed in Germany.  You can read her intorduction to the exploration of the practice of reading, the practice of naming, the practice of writing, without knowing, the practice of writing not in english, the practice of locating,  the seven practices of the marianas trench,  the practice of finishing and see if you want to be part of a Paradance reading group by diving into the circulation of this book.